The Politics of the Marvel Cinematic Universe
The Marvel Cinematic Universe (MCU) is the most expansive and widely viewed fictional narrative in the history of cinema. In 2009, Disney purchased Marvel Entertainment for $4 billion, including its subsidiary film production company, Marvel Studios. Since then, the MCU—the collection of multimedia Marvel Studios products that share a single fictional storyline—has grown from two feature films to thirty interconnected movies, nine streaming Disney+ series, a half dozen short films, and more than thirty print titles. By 2022, eight of the twenty-five highest grossing films of all time are MCU movies.
The MCU is a deeply political universe. Intentionally or not, the MCU sends fans scores of messages about a wide range of subjects related to government, public policy, and society. Some are overt, like the contentious debate about government and accountability at the heart of Captain America: Civil War. More often, however, the politics of the MCU are subtle, like the changing role of women from supporting characters (like Black Widow in Iron Man 2) to leading heroes (like Black Widow in Black Widow). The MCU is not only a product of contemporary politics, but many of its stories seem to be direct responses to the problems of the day. Racial injustice, environmental catastrophe, and political misinformation are not just contemporary social ills, they are also key thematic elements of recent MCU blockbusters.
In The Politics of the Marvel Cinematic Universe, more than twenty-five leading scholars examine these complex themes. Part one explores how political issues are depicted in the origin stories; part two examines how the MCU depicts classic political themes like government and power; and part three explores questions of diversity and representation in the MCU. The volume’s various chapters examine a wide range of topics: Black Panther and the “racial contract,” Captain America and the political philosophy of James Madison, Dr. Strange and colonial imperialism, S.H.I.E.L.D. and civil-military relations, Spider-Man and environmentalism, and Captain Marvel and second-wave feminism.
The Politics of the Marvel Cinematic Universe is the first book to look expansively at politics in the MCU and ask the question, “What lessons are this entertainment juggernaut teaching audiences about politics, society, power, gender, and inequality?”
Biography
I'm a political scientist in the Sanford School of Public Policy. I grew in Kansas, and I have BA in political science from the University of Tulsa and PhD in Politics and Social Policy from Princeton. I've joined faculty in the Sanford School in 2011, and I teach the core gateway course for the Public Policy major. Most of my research focuses on why so few working-class citizens (people employed in manual labor, service industry, and clerical jobs) go on to become politicians and how their virtual absence from our political institutions affects public policy. Outside of work, I'm a lifelong fan of Marvel comics and movies. In 2019 I got involved in a Twitter conversation with a diverse group of political scientists about how politics and society are represented in Marvel films, and that conversation grew into a mini-conference and eventually an edited volume. I hope this book will serve as an engaging window into the study of politics and political theory.