Performing Arts Magazine Articles

Scene from "Juneteenth"

December 9, 2020


Tom Kertscher

Film producer, director, and writer Neil Creque Williams ’06 wanted to make movies by the time he was seven, when in second grade, his teacher let him show his home videos during lunchtime.

December 9, 2020


Sarah Robertson

Brett Tyne ’97 can seamlessly switch from a Western Texas twang to a lyrical Scottish accent straight from the Highlands. Some might call her a modern-day Henry Higgins, but she’s really a dialect coach, who traverses the world to help actors learn tricky accents for movies and television shows. Tyne recently worked with Renee Zellweger to master the breathy Hollywood accent of the 1930s for her 2019 Oscar-winning performance as Judy Garland in the movie Judy.


July 22, 2020


Scott Huler

People who watched A Parks and Recreation Special, the one-off reunion show about the TV series’ characters coping with the COVID-19 lockdown (it ran in early May), knew they were seeing something remarkable. Sure, the laughs were there: The characters spent the half-hour special addressing their situation in the surreal and witty way that defined the show.

Duke MFA student Ayan Felix

July 21, 2020


Scott Huler

AS COURTNEY LIU ’13 walks away from the Ark on a cool and cloudy fall day, she considers the class in which she has just participated. She had been asked to sink into the floor of the Ark, the smooth gray floor on which over the years thousands of the best dancers in the world had moved. To sink even through that floor, into the earth beneath.

August 7, 2019


Robb Chavis


The future doesn’t exist.

Don’t worry. I’m not trying to scare you. This isn’t some dystopian rant about how nothing matters. It’s the opposite. When I realized my future was just an idea I manufactured in my head, it helped me take bigger swings in my life. And I’m hoping my story will help you do the same.

A graphic of digits in computer code

August 7, 2019


Jane Terlesky

I recently walked around the Duke campus with my eighteen-year-old daughter, her many possible futures spread out before her, each one, for this flash of a moment, an equal contender in the competition for her attention.

May 17, 2019


Scott Huler

Start with scales.

You’re playing the cello, and you want to get used to new players, so you go back to the beginning. And you play scales.

“Scales are something you do your entire life,” says Ciompi Quartet violist Jonathan Bagg. “So it’s kind of like calisthenics. But we weren’t in the habit of doing that as a quartet before Carrie came.”

July 29, 2014

Music can bring us back not only to where we once lived, but to places in which we’ve thrived, felt comfortable, and had a niche. Laura journeys to several homes using audio and imagination.

April 28, 2014

One of the most joyous highlights of this past fall was the reopening of Baldwin Auditorium. Just as Duke Chapel is the focal point of West Campus, so Baldwin, with its graceful Georgian Revival dome, is the focal point of East Campus. Over the last two years, Baldwin has undergone a $15 million renovation in line with Duke’s philosophy of architectural renewal on campus: Preserve the historic exterior while creating state-of-the-art interior spaces to meet key campus needs.

Photos by Alex Maness.

May 21, 2013

How do Americans come together - and fall apart? That question fuels the works produced by Hoi Polloi, an Obie-winning New York-based theater collaborative.

Engaging artists: Milazzo, right, in conversation with actor Willem Dafoe as part of the Film: Masters series. Credit: Oriel Pe'er/The Modern School of Film.

May 15, 2013

Robert Milazzo is a patient, persistent man. Back in the late ’90s, as he was figuring out how to break into the film business, he made it his mission to somehow connect with Pulitzer Prize-winning playwright/screenwriter/director David Mamet.

February 13, 2013


Kimberly Sims

One of the most notorious pieces of Duke’s theatrical history—an anonymously written play titled The Vision of King Paucus—never actually appeared on a campus stage. But when 300 copies of the three-page script showed up mysteriously in student and faculty mailboxes in late 1933, it caused a stir felt across the university.