Performing Arts

A Year of Creativity and Bold Thinking Through Bass Connections

The 2021-2022 school year marked a series of welcome returns for the 1,200 students, faculty, staff and community partners who participated in Bass Connections. Our 61 year-long project teams resumed their in-person work on campus, many teams participated in their first fieldwork since 2019 and we were once again able gather together in Penn Pavilion to celebrate the year through our annual Fortin Foundation Bass Connections Showcase.

Students study political theater, then tell their own stories

Writer: 

When Faulkner Fox planned her inaugural political-theater workshop for fall 2020, she didn’t predict an imminent summer of activism.

At first, she’d thought it would be an in-person class attending in-person theater, but then the coronavirus made that impossible. Months later, a second global phenomenon: The Black Lives Matter movement surged in response to murders like George Floyd’s, which Fox (and her students-to-be) experienced in real time. Fox hadn’t been anywhere. She hadn’t even been inside a grocery store, but then she was in the streets, marching for racial justice.

Center for Documentary Studies and Scene of Radio podcast host John Biewen

A really good listen

Writer: 

You know about John Biewen’s bicycle if you have listened to episode eleven of season two of “Scene on Radio,” the podcast he created as part of his work as audio director at Duke’s Center for Documentary Studies. Season two of “Scene” was titled “Seeing White,” and in fourteen crystalline episodes, it addressed the issues of race in America by naming the elephant in the room: whiteness.

A good collaborator knows when to put down the microphone

Writer: 

I make my living with words, and that’s what rap is—words—but I can’t freestyle. I nerd out on the linguistic intricacies, the staggering poetry and ironclad rhetoric, the references-within-references-within-references of billy woods and Jean Grae and Quelle Chris and Open Mike Eagle; of Q-Tip and GZA and MF Doom and Andre 3000. But I can’t freestyle.

A poem about freedom: Anthem for you

Writer: 

I understand that

on some days you will nurse lonely

you will argue with mirror

swallowing distorted images

telling yourself that you are not this kind of ugly

you will select colors that say “available”

and draw on a face that will make you believe

that the last one who doubted your beauty

was both blind and stupid

I fear that in those moments

you will forget

in the middle of lonely

is one

you are the one

who has overcome insurmountable obstacles

Q&A: Vice provost for the arts John Brown on the arts at Duke

Writer: 

JOHN BROWN was named vice provost for the arts last summer. A native North Carolinian, Brown came to the university in 2001 as an adjunct faculty member in the music department and went on to head Duke’s jazz program, along with his own jazz groups. “It’s hard to believe it’s already been a year, and what a year it has been,” he says.

You were the faculty sponsor for John Legend over Graduation Weekend. What was it like engaging with him?

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